Kaha main ne! Sila meri wafa ka tujhsey kya nikla? This traditional form, as seen in Hafiz Shirazi's works in old Persian poetry, does seldom appear in contemporary Urdu works.Today we have only few good ghazal writers it includes Tahir faraz,Iqbal ashar,Naseem nikhat ETC. What the poet is trying to say is that he trusts that the day of judgement would be very painful, as it has been described in Qur'an and Hadith however, this night of separation from his beloved is not less painful than the day of judgement.Ī better example of ghazal is shown below from two couplets of Baqa Akbarabadi *, a contemporary of Meer Taqi Meer, from a ghazal written in the classical conversational form, that is, a dialogue between the lover and the beloved. The following is an example of sher, composed by Mirza Ghalib : nahii.n ki mujhko qayaamat kaa etiqaad nahii.n shab-e-firaaq se roz-e-jazaa ziyaad nahii.n It is not that I do not have faith in (the pains of) the day of judgement But the night of separation is not less than the day of judgement. GHAZAL is the soul of Urdu literature and most popular form of Urdu poetry. Most of Persian and Urdu writers have earned fame as GHAZAL writers.
The last verse of the GHAZAL is called MAQTA which usually contains the penname of the poet. The opening Verse of the GHAZAL is called MATLA and both hemistiches rhyme with one another. It is a poem containing a minimum of 5 verses and maximum 25. Etymologically, it come from the Arabic word Ghizaal, meaning gazelle. The literary meaning of the word 'GHAZAL' is to converse with beloved. (I started all alone towards the goal but people kept joining and it began to turn into a karavan) Urdu Ghazal
Mai.N akelā hī chalā thā jānīb-ē-manjīl magar lōg sāth ātē gayē aur kāravā banatā gayā by tariq pasha from mirpurkhas sindh yaadon mein hamesha yea yaad rakhana, nazroon se door sahi dil ke pass rakhana, yuhi nahi kehte ki shath rahna, door hi shahi magar hame dil ke pass rakhana Bait-ul-GhazalĮxample- a Shēr ( couplet by poet Majrooh Sultanpuri as given below. saanso main bhi shaamil ho lahoo main bhi rawaan ho, lekin mery haathon ki lakeeron main kahan ho. YaadenĪjeeb lagti hai shaam kabhi kabhi, Zindagi lagti hai bejan kabhi kabhi, Samajh aye to hame bhi batana ki, Kiyu karti hai yade itna pareshan kabhi kabhi! Chand chand ko dekha to kuch yaad aa gaya, dhundla sa chera nazro pe chaa gaya, dhyan s dekha to surat thi apki, naam zaban pe chandni aa gaya. Each verse embodies a single thought or subject (sing) SHER, Shero, Shayari, Shyari, Shayri. It consists of two lines (MISRA) first line is called 'MISRA-E-OOLA' and the second is called 'MISRA-E-SANI'.
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